The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
From inside the book
Results 1-3 of 62
Page 85
... society was not static as Fielding and Smollett believed , and the middle of the century witnessed a crisis of confidence in reason . The obvious evils of society remained and did not grow less , and reason seemed powerless to correct ...
... society was not static as Fielding and Smollett believed , and the middle of the century witnessed a crisis of confidence in reason . The obvious evils of society remained and did not grow less , and reason seemed powerless to correct ...
Page 209
... society in which she finds herself . Apart from her writing , she had a full life as the wife of a Unitarian ... society delineated is almost entirely feminine , and the work is a little tri- umph of literary tact . The narrator is at ...
... society in which she finds herself . Apart from her writing , she had a full life as the wife of a Unitarian ... society delineated is almost entirely feminine , and the work is a little tri- umph of literary tact . The narrator is at ...
Page 239
... society . At the center of the novel is the tremendous figure of the great , shady financier Melmotte , the magnet of all society , the man for whose support both parties bid . Trollope's point of view is put by his spokes- man , Roger ...
... society . At the center of the novel is the tremendous figure of the great , shady financier Melmotte , the magnet of all society , the man for whose support both parties bid . Trollope's point of view is put by his spokes- man , Roger ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young