The Cambridge History of Nineteenth-Century Music, Pages 151-177The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries. |
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Contents
The musical work and nineteenthcentury history | 3 |
The opera industry | 4 |
The great composer | 10 |
Nations and nationali | 20 |
The profession of music | 55 |
The construction of Beethoven | 118 |
6 Musicand the poetic | 165 |
The great composer | 259 |
Opera and music drama | 371 |
the symphonic tradition | 424 |
Chamber music and piano | 500 |
Nations and nationalism | 568 |
Chronology | 621 |
Institutions | 659 |
Personalia | 689 |
| 747 | |
Progress modernity and the concept of an avantgarde | 287 |
The structures of musical life | 343 |
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The Cambridge History of Nineteenth-Century Music, Pages 151-177 Jim Samson No preview available - 2001 |
Common terms and phrases
absolute music aesthetic artistic audience Bach became Beethoven Berlin Berlioz Brahms Brahms's Cambridge canon Carl Dahlhaus chamber music Chopin choral Classical composers composition concert Conservatory critical culture Dahlhaus dramatic E. T. A. Hoffmann early nineteenth century eighteenth century established Europe example expression founded France French genre German grand opera harmonic Haydn idea instrumental music Italian opera language late later Leipzig Liszt London lyrical Mahler major melody Mendelssohn Meyerbeer modern movement Mozart musicians nineteenth-century music opera comique orchestral overture Oxford Paris performance period Philharmonic pianist piano pieces playing poem poetic poetry political popular Premieres programme programme music published repertory Richard Strauss role Romantic music Romanticism Rossini Schubert Schumann sense singers social Society solo sonata sonata form song St Petersburg Strauss String Quartet style Symphony theatre thematic theme tion tonal tradition trans Verdi Vienna violin vocal Wagner writes York
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Bibliographic information
| Title | The Cambridge History of Nineteenth-Century Music, Pages 151-177 Cambridge Studies in Early Modern History Cambridge histories online Cambridge history ebook collection The Cambridge History of Music |
| Editor | Jim Samson |
| Contributor | Cambridge University Press |
| Edition | illustrated |
| Publisher | Cambridge University Press, 2001 |
| ISBN | 0521590175, 9780521590174 |
| Length | 772 pages |
| Subjects | › Music / General Music / History & Criticism |
| Export Citation | BiBTeX EndNote RefMan |