261 "Father! Thy word is past, man shall find grace : "And shall grace not find means, that finds her way "The speediest of thy winged messengers "To visit all thy creatures; and to all "Comes unprevented,1 unimplored, unsought? 66 "Can never seek, once dead in sins, and lost— 66 Freely put off, and for him lastly die "Well pleas'd: on me let Death wreak all his rage; 66 Lie vanquish'd: thou hast given me to possess "Life in myself for ever: by thee I live, 66 3 Though now to Death I yield, and am his due, "Thou wilt not leave me in the loathsome grave "But I shall rise victorious, and subdue. 66 My vanquisher spoil'd of his vaunted spoil : 5 "Death his death's wound shall then receive, and stoop "Shall lead Hell captive, maugre hell, and show 66 While, by thee rais'd, 1 ruin all my foes— 7 1 Unanticipated. Milton, on Scriptural authority, uses the word prevent, and prevenient elsewhere, in the Latin sense of pravenio, to come before, to anticipate. "Grace unprevented," here, is grace not preceded by merit or supplication; but which does itself precede, as it is a free gift. See 2 Tim. i. 9; Psalm lxxxviii. 13.--(Rich.) 2 The frequent and earnest repetition of "me" here is very much like that in Virg. En. ix. 427. 3 So John v. 26. Me, me: adsum qui feci, in me convcrtlle ferrum.". . . . Conjicite, 0 Rutuli; me primum absumlte ferro."—(N.) So Psalm xvi. i0: "Thou wilt not leave my soul in hell, nor suffer thy Holy One to seo corruption." applied by St. Peter, (Acts ii. 20,) to our Saviour's resurrection.—(N.) "0 death! where is thy sting? 0 grave! where is thy victory?" i Cor. xv. 55 6"Maugre," in despite of. See Psalm lxviii. 18.—(N.) 7 1 Cor. xv. 26.-(N.) 296 "Father, to see thy face, wherein no cloud Glad to be offer'd, he attends the will All heaven, what this might mean, and whither tend, O thou, "0 thou, in heaven and earth the only peace 66 Though last created; that for him I spare 4 n; "And be thyself man among men on earth, 66 By wondrous birth: be thou in Adam's room Imputed, shall absolve them who renounce "Their own both righteous and unrighteous deeds, 8 "Shall satisfy for man, be judg'd and die; "And dying rise, and rising with him raise i So Psalm ivi. 11. .-(?'.) This passage has been frequently quoted as an instance of the power and accuracy with which Milton sustains the character of his personages. The goodness and mildness of Christ are here admirably portrayed. a An allusion to Psalm xl. 6 and the following verses.—(N.) I. e. The nature of them whom thou only canst redeem. 5 "Time" here is used in the occasional case of temput, xxipos, a proper occasion, or 111 time, in opposition to diet, length of time, or xpovof. « I Cor. xv. 22.-(N.) 1 "Imputed," t. e. ascribed to them. This passage is quoted by Johnson as an illustration of one definition of impute—" to reckon to one what does not properly belong to him." » Milton here, as elsewhere, when speaking the doctrines of Christianity, adopts the style of St. Paul.—(N.) 331 "His brethren, ransom'd with hjs own dear life. "In those who, when they may, accept not grace.' "A world from utter loss, and hast been found, "With thee thy manhood also to this throne : "Here shalt thou sit incarnate—here shalt reign' 3 "I give thee; reign for ever, and assume "Thy merits; under thee, as head supreme, 66 Thrones, Princedoms, Powers, Dominions, I reduce. "Shall hasten; such a peal shall rouse their sleep! 1 "Heavenly love," on the part or Father and Son, gave a price Tor the redemption of mankind, i. e. the death of the Son; and by virtue of that price, really redeemed them.— (Warb., N.) See Matt. xx. it.—(Gil.) There are many passages in these speeches of the Father and Son, where the fall is spoken of as a thing past, (see 151, 181,) because all things, even future ones, are present to the Divine mind.—(P.) 8 Mat. xxviii. is.—(N.) A phrase similar to that of Horace, iii. Od. xxx. 14. "Sume superhiam quæsltam meritis."—(N.) Here the speech begins to swell into a considerable degree of sublimity, which is quite consistent with the picture conveyed by the Scriptures or the Supreme Being.—(D.) See Philip, ii. 10; Matt. xxv. 30, etc:; 1 Thcss. iv. 16; Rev. xx. 11; xxi. 1; 1 Cor. xv. 51 ; 2 Pet. iii. 12; John v. 23 ; Psalm xcvii. 7; Hcb. i. 6.—(N.) "Beneath thy sentence: Hell, her numbers full, 66 Meanwhile The world shall burn, and from her ashes spring See golden days, fruitful of golden deeds,* "With joy and love triumphing, and fair truth: 66 Adore him who, to compass all this, dies ;— No sooner had the Almighty ceas'd, but all Towards either throne they bow, and to the ground, Their crowns inwove with amarant and gold—7 In Paradise, fast by the tree of life, Began to bloom; but soon for man's offence To heaven remov'd, where first it grew, there grows, And flowers aloft, shading the fount of life, And where the river of bliss, through midst of heaven, 359 Bolls o'er Elysian flowers her amber stream: • I Millon often uses the well known Jewish phrase "heaven and earth," lo express Ihe whole creation.—(P.) » Virg. Eel. iv. 9: "Tolo surget gens aurea mundo." 3 The close of this divine colloquy, together with the hymn of angels that follows it, are mentioned by Addison and other critics as instances of the highest sublimity and of wonderful beauty, far superior to any thing of the kind in Homer or Virgil. Dunster justly remarks, that Millon still retained in the poem after he had moulded it into an epic, much of the dramatic form which at one time he intended entirely to have given it on the Grecian model—of this a chorus was a material part. For the choral parts, besides this passage, he says, we may refer to vi. 882; vii. 182, 565, 601; also to i. 666 ; x. 505. For the divine chorus singing their angelic hymns, see Isaiah vi. 3; Job xxxviii. 7. * Pearce says these words, down to "joy" inclusive, must be taken as the absolute case. Lord Monboddo, on ihe other hand, would supply the verb shouted or answered, to which "the multitude" is the subject. « See Dante, Parad. xxviii. 94.—(O.) 6 So they are represented Rev. iv. 10.—(N.) 7 "Amarant," μxpavtos, unfading; a flower of a purple velvet colour, which, though gathered, keeps its kjauty, and recovers its lustre by being sprinkled with a little water. See Pliny, xxi. u : "Amaranlus flos symbolum est immortalitatis."—Clem. Alex. Milton seems to have taken this hint from l Pet. i. 4, "an inheritance that fadeth not away," ά; and 1 Pet. v. 4, "a crown of glory that fadeth not away," aμapxvTivov.—iH.) 8 We may suppose the finest flowers to grow at the bottom of the river of bliss, or ra With these1 that never fade, the spirits elect Bind their resplendent locks, inwreath'd with beams; Then, crown d again, their golden harps they took—' Thee, Father, first they sung, Omnipotent— Eternal King! Thee, Author of all being, 5 4 Amidst the glorious brightness where thou sitt'st 382 Approach not, but with both wings veil their eyes.7 thcr ihe river to roll over them sometimes to water them; much the same as iv. 240.— He calls it "amber stream" on account of its clearness. So Virg. Georg. iii. 522:— --" Purior electro campum petit amnt*."—(N.) 1 "These" refers evidently to flowers: so thai any proposed emendation here is unnecessary, if not bad. * Jasper is a precious stone of several colours, (sea-green predominating most,) and much esteemed; spoken of in Scripture for its brightness. See Rev. xxi. 11, 18; Exod. xxiv. io.—(H. D.) See Spenser, Fairy Queen, ll. xii. 62.—(T.) 8 In the preceding part of the description, the choral angels are palpably active persons of the drama, (see note on 314;) and we can scarcely avoid attributing a measure, i. e. a movement regulated by music, to their solemn adoration (361). Here the measure, I suppose, was intended to cease, and the heavenly chorus prepare to sing their epode or stationary song, i. e. their angelic hymn, to which Milton prefixes the "preamble sweet of charming symphony."—(D.) How superior is this to the hymn to Hercules in Virgil, £n. viii.; which see.—(N.) * "But" here is the same as except, unless. Pearce refers by way of parallel to the following passage in Ovid, Met. ii. 40:— -Clrcum caput omne micantes Dcposuit radios, propiusque accedere jussit.". Greenwood thinks these ideas were suggested by the 33d chapter of Exodus, ver. iS, etc., where Moses begs of the Almighty lo thow him his glory: "And he said, Thou canst not see my face, for there shall no man sec me and live..... thou shalt see my back parts, but my face shall not be seen." 6 See v. 599: Milton's idea is not only poetical in the highest degree, but strictly and philosophically just. Extreme light, by overcoming the organs of sight, obliterates all objects, so as in effect to resemble darkness. Thus are two ideas as opposite as can be imagined reconciled to the extremes of both; and both, in spite of this opposite nature, brought to concur in producing the sublime.--(Burke on the Sublime.) See Spenser, Hymn of Heavenly Beauty; Tasso, Gier. Liber, ix. 57.—(Th.) 7 "Approach not." So Ov. Mel. ii. 22: |