The Orator's Manual: A Practical and Philosophical Treatise on Vocal Culture, Emphasis and Gesture, Together with Selections for Declamation and Reading ... |
From inside the book
Results 1-5 of 37
Page 7
... sense , and a dignity and ease of bearing ; all of which together shall enable him to continue to hold the attention PREFACE . Exercises for Practice; Positions, Active and Passive Chest, Waist, Arm, Neck and Throat Movements §
... sense , and a dignity and ease of bearing ; all of which together shall enable him to continue to hold the attention PREFACE . Exercises for Practice; Positions, Active and Passive Chest, Waist, Arm, Neck and Throat Movements §
Page 9
... Waist , Arm , Neck and Throat Movements § 7 ; Breathing § 8 ; Vocal Cords § 9 ; Elementary Vowel - Sounds § 10 ; Consonant - Sounds § 11 ; Exercises for Advanced Scholars in Vowels , Consonants , Pitch , Time , Force and Stress §§ 12-16 ...
... Waist , Arm , Neck and Throat Movements § 7 ; Breathing § 8 ; Vocal Cords § 9 ; Elementary Vowel - Sounds § 10 ; Consonant - Sounds § 11 ; Exercises for Advanced Scholars in Vowels , Consonants , Pitch , Time , Force and Stress §§ 12-16 ...
Page 16
... waist , then the lower ribs at the sides , then the upper chest ; and in exhaling , to contract first the abdomen and waist , then the lower ribs at the sides , and last , the chest . This will be acquired through the exercises in § 8 ...
... waist , then the lower ribs at the sides , then the upper chest ; and in exhaling , to contract first the abdomen and waist , then the lower ribs at the sides , and last , the chest . This will be acquired through the exercises in § 8 ...
Page 23
... Waist Movements . - Bend the body backward and forward , from side to side , and , without moving the hips , twist it , i.e. turn shoulders from side to side . c . Arm Movements . - After acquiring the mode of breathing ( see § 8 ) - I ...
... Waist Movements . - Bend the body backward and forward , from side to side , and , without moving the hips , twist it , i.e. turn shoulders from side to side . c . Arm Movements . - After acquiring the mode of breathing ( see § 8 ) - I ...
Page 24
... waist ex- pand as you draw in the air . In holding the breath , or letting it out , never allow yourself to feel that there is contraction or force expended in the throat . Keep the throat open : make the waist muscles do all the work ...
... waist ex- pand as you draw in the air . In holding the breath , or letting it out , never allow yourself to feel that there is contraction or force expended in the throat . Keep the throat open : make the waist muscles do all the work ...
Contents
19 | |
29 | |
40 | |
75 | |
82 | |
94 | |
153 | |
154 | |
164 | |
165 | |
170 | |
183 | |
189 | |
195 | |
201 | |
203 | |
209 | |
216 | |
268 | |
274 | |
289 | |
296 | |
305 | |
311 | |
321 | |
328 | |
334 | |
340 | |
Other editions - View all
Common terms and phrases
American arms aspirate bk BC blood brave breast breath Cæsar Caius Verres circumflex conditional mood dare death downward earth elbow emphasis emphatic England express expulsive f RO falling inflection father feel fight Finger gesture fingers force freedom Ft on waist gentlemen George Croly gesture give glory grave Greece h RC hand hear heart heaven honor idem idem idem Ireland liberty lift light lips Lochinvar look Lord loud median stress medium pitch melody movement nation Netherby never noble o'er orotund PARTITION OF POLAND pass pauses principles prone Roman Roman senate Rome Rússia Semitonic sentiment side slow sound Spartacus spirit stood sustained sword syllables tell Terminal Stress thee thou thought tion tone tr R C turn uttered Virgínia voice wave words wrist Ꭱ Ꮯ