The Shock of the NewAn illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
From inside the book
Results 1-3 of 13
Page 409
... eighties . But these signs were ( at least at the beginning of the decade ) partly hidden by a frenetic surface of reputation- making , critical hog - calling , and market promotion . Andy Warhol's work made its final descent into ...
... eighties . But these signs were ( at least at the beginning of the decade ) partly hidden by a frenetic surface of reputation- making , critical hog - calling , and market promotion . Andy Warhol's work made its final descent into ...
Page 410
... eighties had been minding their traditional business , which was to drench the airwaves with glitz and muck , now blossomed forth with private museums . The sabre - toothed realtor might still suppose that Parmigianino was a kind of ...
... eighties had been minding their traditional business , which was to drench the airwaves with glitz and muck , now blossomed forth with private museums . The sabre - toothed realtor might still suppose that Parmigianino was a kind of ...
Page 411
... eighties it was . Whole categories came back , but not in their original form , having mutated in an exacerbated awareness of their own history . You could not ( it was felt ) naïvely " express , " but you could quote the language of ...
... eighties it was . Whole categories came back , but not in their original form , having mutated in an exacerbated awareness of their own history . You could not ( it was felt ) naïvely " express , " but you could quote the language of ...
Other editions - View all
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York