Nothing If Not Critical: Selected Essays on Art and ArtistsA generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Page 135
Selected Essays on Art and Artists Robert Hughes. Édouard Manet After Édouard Manet died of tertiary syphilis in 1883 at the age of fifty - one , Émile Zola and Claude Monet helped carry his coffin to the grave . In life , his milieu had ...
Selected Essays on Art and Artists Robert Hughes. Édouard Manet After Édouard Manet died of tertiary syphilis in 1883 at the age of fifty - one , Émile Zola and Claude Monet helped carry his coffin to the grave . In life , his milieu had ...
Page 136
... Manet . In eyes that have viewed de Chirico's train stations , for in- stance , Manet's painting of a woman and a child at the Gare St. - Lazare acquires a strangeness that contradicts his intention of painting a peaceful urban scene ...
... Manet . In eyes that have viewed de Chirico's train stations , for in- stance , Manet's painting of a woman and a child at the Gare St. - Lazare acquires a strangeness that contradicts his intention of painting a peaceful urban scene ...
Page 137
... Manet was not exactly a modernist , he was certainly not an Impres- sionist . He never exhibited with the Impressionist group ; his aims were not compatible with theirs , much as they respected one another . Manet's firmly built ...
... Manet was not exactly a modernist , he was certainly not an Impres- sionist . He never exhibited with the Impressionist group ; his aims were not compatible with theirs , much as they respected one another . Manet's firmly built ...
Contents
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán