Nothing If Not Critical: Selected Essays on Art and ArtistsA generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Page 299
... . This essay first appeared as a review of Julian Schnabel's CVJ : Nicknames of Maître D's & Other Excerpts from Life ( New York : Random House , 1987 ) . I noticed he was wearing • a bow tie with Julian Schnabel / 299 Julian Schnabel.
... . This essay first appeared as a review of Julian Schnabel's CVJ : Nicknames of Maître D's & Other Excerpts from Life ( New York : Random House , 1987 ) . I noticed he was wearing • a bow tie with Julian Schnabel / 299 Julian Schnabel.
Page 300
... Schnabel , I began to wonder from what elements he had concocted this " memory . " I once had a black leather jacket , but in 1973 my motorcycle was stolen from a sidewalk in SoHo and gave the now useless garment to an art historian in ...
... Schnabel , I began to wonder from what elements he had concocted this " memory . " I once had a black leather jacket , but in 1973 my motorcycle was stolen from a sidewalk in SoHo and gave the now useless garment to an art historian in ...
Page 302
... Schnabel came in . New collectors had been raised on folk myths of the totally expressive artist as scapegoat or ... Schnabel's Gaudí - derived plates and Beuys - derived antlers , his heavy surfaces of horsehide and velvet choked with ...
... Schnabel came in . New collectors had been raised on folk myths of the totally expressive artist as scapegoat or ... Schnabel's Gaudí - derived plates and Beuys - derived antlers , his heavy surfaces of horsehide and velvet choked with ...
Contents
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán