Nothing If Not Critical: Selected Essays on Art and ArtistsA generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Page 32
... face , one must consult the drawings : something easier said than done in America until now . Although there are ... face as well as this again . The tradition is cut , the bow unstrung . But the drawings remain — abraded , retouched ...
... face , one must consult the drawings : something easier said than done in America until now . Although there are ... face as well as this again . The tradition is cut , the bow unstrung . But the drawings remain — abraded , retouched ...
Page 84
... face is a surface in change : it does not compose itself formally as an index of traits . It suggests that personality is labile , and this insight was part of Watteau's appeal to modern artists . The supreme example , in his ...
... face is a surface in change : it does not compose itself formally as an index of traits . It suggests that personality is labile , and this insight was part of Watteau's appeal to modern artists . The supreme example , in his ...
Page 325
... face , close up and cropped by the frame , a pearly or tanned mask of flat paint with schematic shading , great swacking eyelashes and lipstick- colored lips : it is the face of advertising , the size of an image on a fifties highway ...
... face , close up and cropped by the frame , a pearly or tanned mask of flat paint with schematic shading , great swacking eyelashes and lipstick- colored lips : it is the face of advertising , the size of an image on a fifties highway ...
Contents
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán