Nothing If Not Critical: Selected Essays on Art and ArtistsA generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Page 95
... feeling , and a later version of the same theme , The Coiffure , 1896 , shows what a vehicle for innovation it could be : by now the contours of the woman and her maid are roughed out with an almost Fauvist abruptness , and they emerge ...
... feeling , and a later version of the same theme , The Coiffure , 1896 , shows what a vehicle for innovation it could be : by now the contours of the woman and her maid are roughed out with an almost Fauvist abruptness , and they emerge ...
Page 169
... feeling , than the Italian's . But traits of all three are poured and crammed into the same Beckmann - Gauguin's liking for the portentous allegory , Ensor's vision of personality as a raw , lurid mask , de Chirico's urban ...
... feeling , than the Italian's . But traits of all three are poured and crammed into the same Beckmann - Gauguin's liking for the portentous allegory , Ensor's vision of personality as a raw , lurid mask , de Chirico's urban ...
Page 403
... feeling that we are heading for something like the slump that hit the once dominant French art market in the fifties , in the decline of the École de Paris . Except that instead of one Bernard Buffet , we have twenty . And except too ...
... feeling that we are heading for something like the slump that hit the once dominant French art market in the fifties , in the decline of the École de Paris . Except that instead of one Bernard Buffet , we have twenty . And except too ...
Contents
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán