Nothing If Not Critical: Selected Essays on Art and ArtistsA generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Page 60
... social and political cartoons that the serviles hated on principle , especially English ones by Gillray , Rowlandson and others . They subscribed to skeptical papers such as El Pensador , modeled on Addison's Spectator , and to radical ...
... social and political cartoons that the serviles hated on principle , especially English ones by Gillray , Rowlandson and others . They subscribed to skeptical papers such as El Pensador , modeled on Addison's Spectator , and to radical ...
Page 103
... social portraitist and his passage from France into the English upper crust that would reward him for it began at the Paris Salon of 1884 with the scandalous Madame X. This portrait of Virginie Gautreau , a huntress from New Orleans who ...
... social portraitist and his passage from France into the English upper crust that would reward him for it began at the Paris Salon of 1884 with the scandalous Madame X. This portrait of Virginie Gautreau , a huntress from New Orleans who ...
Page 119
... social condensers mattered greatly to Pissarro's way of imagining the world . He was not interested in rural life merely for its own sake , as a refuge or an idyll ; he wanted to paint the relationships between country and town , the social ...
... social condensers mattered greatly to Pissarro's way of imagining the world . He was not interested in rural life merely for its own sake , as a refuge or an idyll ; he wanted to paint the relationships between country and town , the social ...
Contents
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán