Science-fiction Studies, Volume 32, Issue 2SFS Publications, 2005 - Science fiction |
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Page 322
... effects as " a marvelous achievement " ( 43 ) , he also notes the " credibility gaps " of seismic proportions ( 37 ) that damage the coherence of the narrative , e.g. , the Morlock attacks in daylight , and their pointless theft of the ...
... effects as " a marvelous achievement " ( 43 ) , he also notes the " credibility gaps " of seismic proportions ( 37 ) that damage the coherence of the narrative , e.g. , the Morlock attacks in daylight , and their pointless theft of the ...
Page 329
... [ effects - rich ] films in terms of unmotivated special effects , " and thus " unwittingly continu [ e ] the auteur criticism of the early 1960s by ignoring or by - passing the script in favor of ” ( 33 ) fetishizing mise - en - scène ...
... [ effects - rich ] films in terms of unmotivated special effects , " and thus " unwittingly continu [ e ] the auteur criticism of the early 1960s by ignoring or by - passing the script in favor of ” ( 33 ) fetishizing mise - en - scène ...
Page 371
... effects were ... among the vanguard of experiments in tape music / sound in the mid - 1950s " ( 50 ) . Rebecca Leydon's second essay , " Forbidden Planet : Effects and Affects in the Electro Avant - Garde , " on Bebe and Louis Barron's ...
... effects were ... among the vanguard of experiments in tape music / sound in the mid - 1950s " ( 50 ) . Rebecca Leydon's second essay , " Forbidden Planet : Effects and Affects in the Electro Avant - Garde , " on Bebe and Louis Barron's ...
Contents
Carl Abbott Homesteading on the Extraterrestrial Frontier | 240 |
Butler LSD Lying Ink and Lies | 265 |
Animals Kinship and Butlers | 281 |
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