Displacing Natives: The Rhetorical Production of Hawaiʻi

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Rowman & Littlefield, 1999 - History - 223 pages
This insightful study examines the strategies used by outsiders to usurp Hawaiian lands and undermine indigenous Hawaiian culture. Drawing upon historical and contemporary examples, Houston Wood investigates the journals of Captain Cook, Hollywood films, commercialized hula, Waikiki development schemes, and the appropriation of Pele and Kilauea by haoles to explore how these diverse productions all displace Native culture. Yet, the author emphasizes the voices that have never been completely silenced and can be heard asserting themselves today through songs, chants, literature, the internet, and the Native nationalist sovereignty movement. This impassioned argument about the linkages between textual and physical displacements of Native Hawaiians will engage all readers interested in Pacific literature and postcolonial studies.
 

Contents

The Violent Rhetoric of Names
7
Captain James Cook Rhetorician
19
The Kamaāina AntiConquest
35
Unwritable Knowledge
51
Displacing Three Hawaiian Places
60
Echo Tourism The Narrative of Nostalgia in Waikīkī
83
Safe Savagery Hollywoods Hawaii
101
New Histories New Hopes
121
Kahoolawe in Polyrhetoric and Monorhetoric
127
Hawaii in Cyberspace
149
Coda
163
Notes
169
Bibliography
197
Filmography
211
Index
213
About the Author
221

Polyrhetoric as Critical Traditionalism
125

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About the author (1999)

Houston Wood spent many years as a macadamia nut farmer on the island of Hawaii. He is the coauthor of The Reality of Ethnomethodology and now teaches English at Hawaii Pacific University.