The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 132
What had formerly seemed to the mass of his British readers profoundly alien ,
even monstrous , modes of worship were made to appear natural by his
acceptance of them and his unheated accounts of them . The religious fanaticism
of ...
What had formerly seemed to the mass of his British readers profoundly alien ,
even monstrous , modes of worship were made to appear natural by his
acceptance of them and his unheated accounts of them . The religious fanaticism
of ...
Page 134
Scott ' s attitude towards his characters , like his acceptance of the world in which
he lived , is very much akin to Chaucer ' s . ... He accepted and rendered quite
naturally the contrasts of class ; as Bagehot , discussing Scott ' s treat ment of the
...
Scott ' s attitude towards his characters , like his acceptance of the world in which
he lived , is very much akin to Chaucer ' s . ... He accepted and rendered quite
naturally the contrasts of class ; as Bagehot , discussing Scott ' s treat ment of the
...
Page 156
But broadly , the early Victorians accepted the idea of progress without much
question . The age represented the triumph of protestantism , and perhaps its
great achievement was the universal acceptance of the idea of respectability . It
was a ...
But broadly , the early Victorians accepted the idea of progress without much
question . The age represented the triumph of protestantism , and perhaps its
great achievement was the universal acceptance of the idea of respectability . It
was a ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person play plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young