The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 3
... its prehistory , but its beginnings in Mar- lowe and the University Wits are simply not explicable in terms of medieval mystery plays and miracle plays or the Senecan tragedies of Sir Thomas Sackville . The change from THE BEGINNINGS.
... its prehistory , but its beginnings in Mar- lowe and the University Wits are simply not explicable in terms of medieval mystery plays and miracle plays or the Senecan tragedies of Sir Thomas Sackville . The change from THE BEGINNINGS.
Page 5
... beginning . Chaucer's death in 1400 coincided with a change in the structure of the language , and after him the art of poetry was more or less lost for a hundred and fifty years . When it was rediscovered it flowered marvelously in ...
... beginning . Chaucer's death in 1400 coincided with a change in the structure of the language , and after him the art of poetry was more or less lost for a hundred and fifty years . When it was rediscovered it flowered marvelously in ...
Page 15
... beginning of the century , examples not quite of scientific interest in character but at least of attempts to define fairly precisely human types . An English edition of the Characters of the late Greek writer Theophrastus had appeared ...
... beginning of the century , examples not quite of scientific interest in character but at least of attempts to define fairly precisely human types . An English edition of the Characters of the late Greek writer Theophrastus had appeared ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young