The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 83
The Spiritual Quixote remains a very agreeable work , written in a very agreeable
eighteenth - century prose . Graves was a much smaller writer than Fielding , but
like him wrote as a scholar and a gentleman , with a similar urbanity and a ...
The Spiritual Quixote remains a very agreeable work , written in a very agreeable
eighteenth - century prose . Graves was a much smaller writer than Fielding , but
like him wrote as a scholar and a gentleman , with a similar urbanity and a ...
Page 89
Sir Kenneth Clark has written in his Landscape Into Art : Today , after a century of
more intense romanticism , it is hard to see how the world of taste was so long
deceived by the second - rate talents of Salvator . But we must realize that he was
...
Sir Kenneth Clark has written in his Landscape Into Art : Today , after a century of
more intense romanticism , it is hard to see how the world of taste was so long
deceived by the second - rate talents of Salvator . But we must realize that he was
...
Page 107
THE NINETEENTH CENTURY : THE FIRST GENERATION English is al as in
SIGNIFICANT CHANGES , new directions , in literature are rarely so obliging as
to coincide in their appearance with such convenient points in time as the turn of
a ...
THE NINETEENTH CENTURY : THE FIRST GENERATION English is al as in
SIGNIFICANT CHANGES , new directions , in literature are rarely so obliging as
to coincide in their appearance with such convenient points in time as the turn of
a ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 24 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side simply situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young