The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 63
Characters in Smollett have become grotesque objects and , deprived of their
human appearances , turned into animals or insects , they are deprived of their
humanity . They are things to be kicked about , the sport of any crude horseplay ,
the ...
Characters in Smollett have become grotesque objects and , deprived of their
human appearances , turned into animals or insects , they are deprived of their
humanity . They are things to be kicked about , the sport of any crude horseplay ,
the ...
Page 289
verse morals were beside the point ; between the forces of nature , including
therein the forces of his own nature , and man ' s aspirations there could be no
reconciliation ; they were eternally opposed , and from the human view the
workings of ...
verse morals were beside the point ; between the forces of nature , including
therein the forces of his own nature , and man ' s aspirations there could be no
reconciliation ; they were eternally opposed , and from the human view the
workings of ...
Page 393
Yet Of Human Bond& age has its value , and it comes precisely from Maugham ' s
till honesty , his unflinching acceptance of his belief in the i meaninglessness of
life . He is not , nor is Philip , to be Discomforted , and the novel gains in ...
Yet Of Human Bond& age has its value , and it comes precisely from Maugham ' s
till honesty , his unflinching acceptance of his belief in the i meaninglessness of
life . He is not , nor is Philip , to be Discomforted , and the novel gains in ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person play plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History A Dutton paperback Part 9 of Dutton everyman paperback |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1954 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |