The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xiii
essays in Walter Bagehot ' s Literary Studies and Leslie Stephen ' s Hours in a
Library ; Henry James ' s prefaces collected in The Art of the Novel , with R . P .
Blackmur ' s introduction ; the relevant essays in James ' s Partial Portraits and ...
essays in Walter Bagehot ' s Literary Studies and Leslie Stephen ' s Hours in a
Library ; Henry James ' s prefaces collected in The Art of the Novel , with R . P .
Blackmur ' s introduction ; the relevant essays in James ' s Partial Portraits and ...
Page 42
Faced with so formidable a literary innovator as Richardson , scholars have
naturally sought to estimate his indebtedness to other writers . They have not
found the task easy . Did he owe anything to the novel La Vie de Marianne , by
the ...
Faced with so formidable a literary innovator as Richardson , scholars have
naturally sought to estimate his indebtedness to other writers . They have not
found the task easy . Did he owe anything to the novel La Vie de Marianne , by
the ...
Page 73
Yet Tristram Shandy is a novel and nothing else but a novel for all that it has
never been found easy to pigeon - hole , a fact which should put us on our guard
against interpreting the novel as a literary form too narrowly . To summarize the
plot ...
Yet Tristram Shandy is a novel and nothing else but a novel for all that it has
never been found easy to pigeon - hole , a fact which should put us on our guard
against interpreting the novel as a literary form too narrowly . To summarize the
plot ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 67 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure follow George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side simply situation social society story successful symbol things tion true turned Victorian whole woman women writing written wrote young