The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 108
but because it was a romantic one . Maria Edgeworth gave fiction a local
habitation and a name . And she did more than this : she perceived the relation
between the local habitation and the people who dwell in it . She invented , in
other words ...
but because it was a romantic one . Maria Edgeworth gave fiction a local
habitation and a name . And she did more than this : she perceived the relation
between the local habitation and the people who dwell in it . She invented , in
other words ...
Page 155
... of the Russian attitude to the West , of man ' s relation to God and to his fellows
, indeed , of Russian man in relation to the whole world , visible and invisible , in
which he lived . Nineteenth - century Russian fiction , then , has a sweep and ...
... of the Russian attitude to the West , of man ' s relation to God and to his fellows
, indeed , of Russian man in relation to the whole world , visible and invisible , in
which he lived . Nineteenth - century Russian fiction , then , has a sweep and ...
Page 180
ature of the conditimbiotic without the sense of an audience in intimate relation
with him he was less than himself . His public readings have been deplored , but
they indicate the intensity of his craving for what was almost a symbiotic relation ...
ature of the conditimbiotic without the sense of an audience in intimate relation
with him he was less than himself . His public readings have been deplored , but
they indicate the intensity of his craving for what was almost a symbiotic relation ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person play plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young