The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 96
In this world , men are awful and incalculable , when seen in the light of possible
husbands or potential seducers , or ludicrous , if , as often , they think themselves
possible husbands but are seen quite otherwise by the young women . To read ...
In this world , men are awful and incalculable , when seen in the light of possible
husbands or potential seducers , or ludicrous , if , as often , they think themselves
possible husbands but are seen quite otherwise by the young women . To read ...
Page 143
Their fiction , judged as fiction , is conventional ; the interest lies in the first - hand
observation and rendering of life as they had seen it which fills up the interstices
of the plot . Gerald Griffin ' s The Collegians ( 1828 ) had fame in its own day ...
Their fiction , judged as fiction , is conventional ; the interest lies in the first - hand
observation and rendering of life as they had seen it which fills up the interstices
of the plot . Gerald Griffin ' s The Collegians ( 1828 ) had fame in its own day ...
Page 273
George Eliot is seen at her greatest in Middlemarch . Not all her qualities are
manifest in it ; it lacks the charm of the first part of The Mill on the Floss and Silas
Marner , and the humor is much more severely controlled . But it expresses , as
the ...
George Eliot is seen at her greatest in Middlemarch . Not all her qualities are
manifest in it ; it lacks the charm of the first part of The Mill on the Floss and Silas
Marner , and the humor is much more severely controlled . But it expresses , as
the ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 24 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side simply situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young