Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
From inside the book
Results 1-3 of 43
Page 243
... masculinity and murder : in his case , the bloody axe seems not an escape route but the tool of a man driven to enact the ferociously masculine strivings of his wife . " Nonetheless , the weight given the image of the man not born of ...
... masculinity and murder : in his case , the bloody axe seems not an escape route but the tool of a man driven to enact the ferociously masculine strivings of his wife . " Nonetheless , the weight given the image of the man not born of ...
Page 358
... masculine environment . Like the traditional removal of boys from their early female - dominated environment , this ... masculinity . Even Leontes mourns the loss of his early effeminacy as , looking at Mamillius , Leontes . succumbs to ...
... masculine environment . Like the traditional removal of boys from their early female - dominated environment , this ... masculinity . Even Leontes mourns the loss of his early effeminacy as , looking at Mamillius , Leontes . succumbs to ...
Page 362
... masculine . Deriving from an elaborate Neoplatonic system , the distinctions between Sycorax's black magic or ... masculine mind.47 Demonstrating the masculinity as well as the sublimity of his art , Prospero's masterful transcendence of ...
... masculine . Deriving from an elaborate Neoplatonic system , the distinctions between Sycorax's black magic or ... masculine mind.47 Demonstrating the masculinity as well as the sublimity of his art , Prospero's masterful transcendence of ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York