Philip K. Dick: Exhilaration and Terror of the PostmodernOnce solely the possession of fans and buffs, the SF author Philip K Dick is now finding a much wider audience, as the success of the films Blade Runner and Minority Report shows. The kind of world he predicted in his funny and frightening novels and stories is coming closer to most of us: shifting realities, unstable relations, uncertain moralities. Philip K. Dick: Exhilaration and Terror of the Postmodern examines a wide range of Dick's work, including his short stories and posthumously published realist novels. Christopher Palmer analyzes the puzzling and dazzling effects of Dick's fiction, and argues that at its heart is a clash between exhilarating possibilities of transformation, and a frightening lack of ethical certainties. Dick's work is seen as the inscription of his own historical predicament, the clash between humanism and postmodernism being played out in the complex forms of the fiction. The problem is never resolved, but Dick's ways of imagining it become steadily more ingenious and challenging. |
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Page 9
13 In his writing , the contest and interaction of realism and fantasy is a contest
and interaction of humanism and postmodernism . This contest and interaction
can be historicized ; we can define it as reflex of and reflection on the passage of
...
13 In his writing , the contest and interaction of realism and fantasy is a contest
and interaction of humanism and postmodernism . This contest and interaction
can be historicized ; we can define it as reflex of and reflection on the passage of
...
Page 10
particular imagination of the subjectivized and disintegrated is found to be at the
heart of Dick ' s political unconscious ; but first the historical interest of a more
conscious and explicit side of his writing is defined . * * * * * The rest of this
chapter ...
particular imagination of the subjectivized and disintegrated is found to be at the
heart of Dick ' s political unconscious ; but first the historical interest of a more
conscious and explicit side of his writing is defined . * * * * * The rest of this
chapter ...
Page 87
whole , need not yet surface in the writing , because in the short stories Dick can
still rely on the trick ending , the final reversal or revelation , characteristic of
popular magazine fiction , and because short stories can easily be noncommittal
as ...
whole , need not yet surface in the writing , because in the short stories Dick can
still rely on the trick ending , the final reversal or revelation , characteristic of
popular magazine fiction , and because short stories can easily be noncommittal
as ...
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Contents
Philip K Dick and the Postmodern | 23 |
Complications of Humanism and Postmodernism | 35 |
Static and Kinetic in Dicks Political Unconscious | 44 |
Copyright | |
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actions actually alien American androids Arnie attempts become begins called Chapter characters child comes concerned condition context culture death define deity depiction Deus Irae Dick Dick's Dick's novels discussion drug effect Eldritch existence experience expresses fact fantasy feelings fiction fifties forces further future given gives going half-life happens High Castle human images imagination important individual instance interesting involves Jack kill kind late later live machines main character Manfred material matter means merely narrative nature novel objects offers ordinary perhaps person Philip political possible postmodern present problem production reader realism reality reason relations Scanner Darkly scene seems seen sense simply situation social society space story suggests Tagomi things Time-Slip tion true turn Ubik usually Valis whole writing