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Accessories Features Angles Angles & Shots aperture Audio Mixer Betacam broadcast button cable camcorder Camera Movements Lighting Cameras & Style colour Communications Systems Wireless Computer and Networking created Digital Photography Digital Photography History digital video disc DVCPro DVD-R Edit Decision List Film History Film Theories Final Cut Pro firewire focus Graphic Design hard drive HD DVD HDTV History of Photography lens look Marxist Film Theory megapixel microphone mike Mini-DV motherboard movie music videos pace editing Photography Digital Photography Photography Historic Photographers picture Production Notes professional programs prosumer record REVIEW QUESTIONS S-VHS Satellite Radio scene screen screenplay seconds shoot Shots Camera Movements Sony soundtrack special effects Streaming Video studio Systems Wireless Communication tape television Theory Film Traditional & Digital Traditional Photography Digital VHS-C video camera video editing Video History video production Video Systems videotape viewer Webcasting Wireless Communication Systems zoom
Popular passages
Page 157 - Note on the Art of Photography, or the application of the Chemical Rays of Light to the purposes of Pictorial Representation.
Page 8 - One, two, three, four .... Is it snowing where you are, Mr. Thiessen? If it is, would you telegraph back to me?
Page 149 - The term usually used to denote that part of the cinematic process that takes place on the set, as opposed to MONTAGE, which takes place afterwards.
Page 164 - bulb". This is for time exposures and means that the shutter will remain open for as long as the shutter release is pressed. The facility for adjusting the shutter can help you in many situations. For example, if you are shooting your model in available light, it might be too dark for a camera with a fixed shutter speed to cope with. ln this case your shot will come out underexposed and perhaps unusable. Of course...
Page 80 - I saw men pass that was shot from the top of their head to the bottom of their feet...
Page 82 - A shot commonly used in dialogue scenes in which the speaker is seen from the perspective of a person standing just behind and a little to one side of the listener, so that parts of the head and shoulder of the listener are in the frame.
Page 198 - This book is protected under all copyright laws. Any reproduction of this book without the expressed written consent of Dale Andrews, Eastwood Multimedia and Digital Overdrive is prohibited by law.
Page 80 - Long Shot (LS) Medium Long Shot (MLS) Medium Shot (MS) - Medium Close-Up (MCU) DID YOU KNOW?
Page 85 - In a three-light setup the lights each have names: key light, fill light, and back light. The key light is the primary...