Filming the Fantastic: A Guide to Visual Effects Cinematography: A Guide to Visual Effects Cinematography

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Taylor & Francis, Nov 12, 2012 - Performing Arts - 365 pages

Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time. This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post, which can be an expensive, drawn out process. Instead, learn how to put your shots together before you start shooting-whether you're working in digital or film. Learn how to effectively photograph and create miniatures, matte paintings, green screen set ups, crowd replication, digital rear projection, and so much more to create elements that will composite together flawlessly.

The main purpose of effects is to promote the story, not just to wow an audience with amazing tricks created digitally. This book describes methods for creating seamless effects that don't call attention to themselves but enhance the scene as a whole. The technical foundations of film and digital capture are given in the introductory chapters of the book, and you are presented with real world scenarios that illustrate these basic concepts in a practical sense. Step-by-step illustrations of photographic element creation empower you to learn how to effectively pre-plan and execute your own visual effects challenges.

 

Contents

Composition and Lighting
1
Forced Perspective
19
Matte Painting
43
Stop Motion
69
Formats and Film
101
The Cineon System
137
Digital Cinema
145
The Moving Camera
177
Miniatures vs Computer Graphics
239
So You Dont Have a Million Dollars
263
Big Effects Little Money
285
You Cant Always Get What You Want
313
Welcome to the Circus
327
The Man Behind the Curtain
339
Index
341
Copyright

Blue and Green Screen
197

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About the author (2012)

Mark Sawicki is a camera man, artist, and actor. He has had many roles in the world of film, from teaching visual effects for over 15 years at the UCLA extension, authoring video programs on the art of clay animation, and being an independent stop motion animator on several MTV videos. He won an Emmy Certificate for his contribution to the television series, Star Trek while working as a cameraman for Illusion Arts. He won a Clio for his camera work while at Celestial Mechanics Incorporated. Mark is currently a digital colorist and effects camera supervisor at Custom Film Effects. A few of his recent films include Premonition, The Black Dahlia, 40 Year Old Virgin, and Eternal Sunshine of the Spotless Mind.

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