Culture and Society, 1780-1950 |
Contents
The Romantic Artist | 30 |
Mill on Bentham and Coleridge | 49 |
Thomas Carlyle | 71 |
Copyright | |
12 other sections not shown
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Common terms and phrases
abstraction active actual argues argument Arnold artist attitude become Bentham bourgeois Burke Carlyle century Chartism civilization Cobbett Coleridge common consciousness contrast course criticism D. H. Lawrence democracy difficult economic element Eliot emphasis England English essay essential evident existing experience F. R. Leavis fact feeling Felix Holt function George Eliot Gissing human I. A. Richards Ibid idea of culture important individual industrial Industrial Revolution intellectual judgement kind labour Lawrence Leavis literary literature living major Marx Marxist Mary Barton masses matter means ment merely Mill mind modern Morris nature Nineteen Eighty-Four nineteenth-century novel observation organization Orwell particular perfection poetry political position practice principle production question R. H. Tawney reality reform rejection relation repr Revolution Romantic Romanticism Ruskin sense social socialist society Southey T. E. Hulme T. S. Eliot theory things thinking tion tradition whole word working-class writing
References to this book
Reading Images: The Grammar of Visual Design Gunther R. Kress,Theo Van Leeuwen No preview available - 2006 |