Designing With Light and Shadow"Perhaps we need to study those past examples once more. Electric power was in adequate supply in the postwar era, and abundance led to a cruder approach to lighting design. Even ways of using darkness were forgotten. In the postwar era, people associated lighting with "electricity", "furniture or electrical appliances" and "properties of light". In the 1990s it has at last risen in stature and come to signify "scenery". We have extrapolated from those past associations and believe that in the future lighting will come to mean the "design of moods". The comfort of an urban environment will come to depend on ineffable factors such as light, sound, air, odor, taste and touch." "Imagine this scene. Lighting fixtures are invisible, but a pleasant light dances in space like a southern breeze at dusk. If we are ever able to make that scene real, then the design of moods may prove more than just a daydream."--BOOK JACKET. |
Contents
Designing Shadows By Riichi Miyake | 6 |
The Objectives of Lighting Design | 10 |
Ten Thoughts on Architectural Lighting | 14 |
A Manner of Lighting Design | 16 |
Twentyseven Manners Architectural Lighting | 22 |
Kyoto Station Building | 26 |
Tokyo International Forum | 32 |
Toyonokuni Libraries for Resources | 38 |
Otemachi Nomura Building Open Plaza | 112 |
Beppu Park | 114 |
Izumigo Plaza Hotel Tateshina | 118 |
Osaka World Trade Center | 120 |
Tower of Wind | 122 |
Osaka City Air Terminal OCAT | 124 |
Obihiro Redevelopment | 126 |
Town Center of Kohoku New Town | 130 |
Nara Centennial Hall | 42 |
Kyoto Concert Hall | 48 |
National Yokohama International Conference Hall | 52 |
Seiwamura Bunraku Puppet Theater | 56 |
Frankfurt Opera House | 58 |
Fukui Prefectural Childrens Science Museum | 60 |
Chihiro Art Museum Azumino | 64 |
Fukushima Lagoon Museum | 70 |
Shimosuwa Lake Suwa Museum and Akahiko Museum | 74 |
Panasonic Data Communication Center | 76 |
Hotel Nikko Fukuoka Chapel Priere | 80 |
Hotel Poluinya | 84 |
The Manhattan | 88 |
Technopolis HighRise Condominium | 92 |
Odate Jukai Dome Park | 94 |
Tokyo Tatsumi International Swimming Center | 96 |
Environmental Lighting | 99 |
Tokyo Waterfront Subcenter Symbol Promenade | 100 |
Chapel on the Water | 104 |
Solid Square | 106 |
Center for the Advanced Science and Technology | 108 |
Tokyo Waterfront Subcenter | 132 |
Commercial Lighting | 137 |
Louis Vuitton Nagoya | 138 |
GAP Shibuya | 140 |
Tokyo Design Center | 142 |
La Maremma Italian Restaurant | 144 |
Takashimaya Times Square | 146 |
Shibuya PARCO | 150 |
Shinjuku ILAND | 154 |
Queens Square Yokohama | 158 |
Bayside Place Hakata | 162 |
Pachinko Parlor Kinbasha | 164 |
Fujiyama | 166 |
Firm Profile | 169 |
Lighting Planners Associates | 170 |
Biographies | 172 |
Current Projects | 174 |
Acknowledgments | 180 |
182 | |
Common terms and phrases
1997 Architect approach Arata Isozaki architectural design Architectural Lighting Associates Atrium basic Born building ceiling Center changes City collaboration color comfortable Commercial Lighting concept construction create darkness Design area Development direction drawing Electric Engineering entire area entire area Site entrance environment Environmental Lighting exhibition experience expressed exterior Facade facility floor flow function garden glass Grand hall Hotel Housing human idea illuminating important inside installed interior International involved Japan Completion Japanese Kanagawa Landscape lighting design lighting environment lighting fixtures lighting method luminous manner Mario Bellini materials Mende Museum natural light needed night Nikken Sekkei Ltd Office operation Osaka Owner Park performance planning Plaza preparation Producer public space reflected result Road scene Science Shadow sketch stage Station structure Symbol Tadao Ando theme Tokyo Tower Toyo Ito University Urban wall Yokohama
References to this book
Digital Design: Research and Practice Mao-Lin Chiu,Jin-Yeu Tsou,Thomas Kvan,Mitsuo Morozumi,Tay-Sheng Jeng No preview available - 2003 |