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appear beauty become believe better called cause character common Compare connection criticism distinct drama effect equally excellent existence express fact father feeling force former genius give given Greek Hamlet hand heart human idea images imagination individual instance interest Italy judgment kind king language latter least Lecture less light living look manner means mere mind moral nature never object observe once original passage passion perfect perhaps persons philosophic play pleasure poem poet poetry positive present principle produced reader reason reference remarks represented respect scene seems sense Shakspeare Shakspeare's soul speak speech spirit stand supposed taken term thing thought tion tragedy true truth understanding whole writer
Page 171 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 83 - A jest's prosperity lies in the ear Of him that hears it ; never in the tongue Of him that makes it...
Page 168 - If chance will have me king, why, chance may crown me, Without my stir.
Page 81 - But love, first learned in a lady's eyes, Lives not alone immured in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 158 - I know my course. The spirit that I have seen May be the devil; and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me.
Page 41 - But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation. Neither are they fitly to be called images, because they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages...
Page 22 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
Page 180 - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions; but we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion.