From Story to Stage: The Dramatic Adaption of Prose Fiction in the Period of Shakespeare and his ContemporariesKeine ausführliche Beschreibung für "From Story to Stage" verfügbar. |
Contents
| 8 | |
| 32 | |
2 Gestures Costumes And Properties | 64 |
3 The Figure Of The Actor | 96 |
4 Language | 126 |
Part Two Adaptation And The Imitation Of Change | 152 |
Time | 207 |
Part Three Adaptation And Moral Substance | 256 |
Afterword And Acknowledgments | 302 |
Appendix | 315 |
| 321 | |
| 329 | |
Other editions - View all
From Story to Stage: The Dramatic Adaption of Prose Fiction in the Period of ... Max Bluestone No preview available - 1974 |
Common terms and phrases
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasizes episode example eyes Faustus Fletcher Frankford genre gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shakespearean Tragedy Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate wife William Painter Winter's Tale Woman Killed words