Motherhood and Representation: The Mother in Popular Culture and MelodramaFrom novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America. |
From inside the book
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... film texts such as East Lynne, Uncle Tom's Cabin, Christopher Strong, Imitation of Life, Three Men and a Baby, and The Handmaid's Tale. Kaplan's analysis complicates two commonly noted dominant paradigms of the mother as “Witch” and as ...
... film texts such as East Lynne, Uncle Tom's Cabin, Christopher Strong, Imitation of Life, Three Men and a Baby, and The Handmaid's Tale. Kaplan's analysis complicates two commonly noted dominant paradigms of the mother as “Witch” and as ...
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... FILM 5. THE MATERNAL MELODRAMA: THE SACRIFICE PARADIGM Ellen Wood's East Lynne and its play and film versions 6. THE MATERNAL MELODRAMA: THE “PHALLIC” MOTHER PARADIGM Now Voyager (1942) and Marnie (1964) 7. THE “RESISTING” TEXT WITHIN ...
... FILM 5. THE MATERNAL MELODRAMA: THE SACRIFICE PARADIGM Ellen Wood's East Lynne and its play and film versions 6. THE MATERNAL MELODRAMA: THE “PHALLIC” MOTHER PARADIGM Now Voyager (1942) and Marnie (1964) 7. THE “RESISTING” TEXT WITHIN ...
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... film at Rutgers University in 1982 through to similar courses at Stony Brook in 1987 and 1988 – have provided invaluable insights and telling responses to materials and theories that I first tried out on them. I thank them for their ...
... film at Rutgers University in 1982 through to similar courses at Stony Brook in 1987 and 1988 – have provided invaluable insights and telling responses to materials and theories that I first tried out on them. I thank them for their ...
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... Film from 1910–1940,” in C. Gledhill (ed.), (1987) Home is Where the Heart is: Studies in Melodrama and the Woman's Film, London: British Film Institute; “Discourses of the Mother in Postmodern Film and Culture,” Westerly: A Quarterly ...
... Film from 1910–1940,” in C. Gledhill (ed.), (1987) Home is Where the Heart is: Studies in Melodrama and the Woman's Film, London: British Film Institute; “Discourses of the Mother in Postmodern Film and Culture,” Westerly: A Quarterly ...
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... film and social texts. Where possible, I indicate relations among the three spheres, but I deliberately avoid constructing a theory that might explain ways in which the spheres are inevitably interconnected. If deconstruction has taught ...
... film and social texts. Where possible, I indicate relations among the three spheres, but I deliberately avoid constructing a theory that might explain ways in which the spheres are inevitably interconnected. If deconstruction has taught ...
Contents
WOMENS WRITING MELODRAMA AND FILM | |
THE SACRIFICE PARADIGM Ellen Woods | |
THE PHALLIC MOTHER PARADIGM | |
THE RESISTING MATERNAL WOMANS FILM 193060 Arzners | |
Consumerism science | |
Notes | |
Bibliography | |
Names index | |
Other editions - View all
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Limited preview - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan No preview available - 1992 |
Common terms and phrases
American argue articulated baby Barbara body Carlyle Carlyle’s century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father female spectator feminine feminism feminist fiction figure film versions film’s focus foetus Freud Freudian gaze gender genre Handmaid’s Tale Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali object Oedipal patriarchal Peola phallic phallus play political popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau sexual social specific sphere Stella Dallas Stowe’s Symbolic terrain unconscious upper-class Voyager Weber woman woman’s Woman’s Film women York