Motherhood and Representation: The Mother in Popular Culture and MelodramaFrom novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America. |
From inside the book
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... paradigms of the mother as “Witch” and as “Angel,” evident in nineteenth-century women's writing and twentieth-century women's melodrama. She includes discussion of the appropriation of minority mother-discourse, and then charts the ...
... paradigms of the mother as “Witch” and as “Angel,” evident in nineteenth-century women's writing and twentieth-century women's melodrama. She includes discussion of the appropriation of minority mother-discourse, and then charts the ...
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... PARADIGM Ellen Wood's East Lynne and its play and film versions 6. THE MATERNAL MELODRAMA: THE “PHALLIC” MOTHER PARADIGM Now Voyager (1942) and Marnie (1964) 7. THE “RESISTING” TEXT WITHIN THE PATRIARCHAL “FEMININE”: Nineteenth-century ...
... PARADIGM Ellen Wood's East Lynne and its play and film versions 6. THE MATERNAL MELODRAMA: THE “PHALLIC” MOTHER PARADIGM Now Voyager (1942) and Marnie (1964) 7. THE “RESISTING” TEXT WITHIN THE PATRIARCHAL “FEMININE”: Nineteenth-century ...
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... paradigms, I decided deliberately to limit this study to what I call the “Master” Motherhood Discourse as it worked to ... paradigm, oppressive for the minority group, came into being, how its very presence constructs (as part of its ...
... paradigms, I decided deliberately to limit this study to what I call the “Master” Motherhood Discourse as it worked to ... paradigm, oppressive for the minority group, came into being, how its very presence constructs (as part of its ...
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... paradigms underlying twentieth-century mother- representations in films made (largely) by men (my main focus in the book), I found myself back in the nineteenth century and in women's writing, in particular. This at first surprised me ...
... paradigms underlying twentieth-century mother- representations in films made (largely) by men (my main focus in the book), I found myself back in the nineteenth century and in women's writing, in particular. This at first surprised me ...
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... paradigms within different imaginative modes. I am interested in issues of textual address, spectatorship (and reader-response), the gendered audience, and different forms and meanings of identification. These kinds of issues pertain to ...
... paradigms within different imaginative modes. I am interested in issues of textual address, spectatorship (and reader-response), the gendered audience, and different forms and meanings of identification. These kinds of issues pertain to ...
Contents
WOMENS WRITING MELODRAMA AND FILM | |
THE SACRIFICE PARADIGM Ellen Woods | |
THE PHALLIC MOTHER PARADIGM | |
THE RESISTING MATERNAL WOMANS FILM 193060 Arzners | |
Consumerism science | |
Notes | |
Bibliography | |
Names index | |
Other editions - View all
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Limited preview - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan No preview available - 1992 |
Common terms and phrases
American argue articulated baby Barbara body Carlyle Carlyle’s century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father female spectator feminine feminism feminist fiction figure film versions film’s focus foetus Freud Freudian gaze gender genre Handmaid’s Tale Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali object Oedipal patriarchal Peola phallic phallus play political popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau sexual social specific sphere Stella Dallas Stowe’s Symbolic terrain unconscious upper-class Voyager Weber woman woman’s Woman’s Film women York