Tradition and Dream: The English and American Novel from the Twenties to Our TimeDen engelske og amerikanske novelle fra 1920 til 1960 |
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Page 98
... MOVE from Hemingway to Thomas Wolfe is to move from the spare , the laconic , the rigorously selective , to the vast , the exuber- antly expansive , the all - embracing ; from the distrust of words and emotion to the total subjection to ...
... MOVE from Hemingway to Thomas Wolfe is to move from the spare , the laconic , the rigorously selective , to the vast , the exuber- antly expansive , the all - embracing ; from the distrust of words and emotion to the total subjection to ...
Page 162
... move , he makes a standard . " God wills that we recapture the Holy Land " ; or he says : " We fight to make the world safe for democracy " ; or he says : " We will wipe out social injustice with communism . " But the group doesn't care ...
... move , he makes a standard . " God wills that we recapture the Holy Land " ; or he says : " We fight to make the world safe for democracy " ; or he says : " We will wipe out social injustice with communism . " But the group doesn't care ...
Page 232
... move from peasant cultivation by way of the small industrial unit to modern capitalist organization in the engineer- ing works of Duncairn . And there is a much larger movement of history as well . Indeed , in the druidical remains of ...
... move from peasant cultivation by way of the small industrial unit to modern capitalist organization in the engineer- ing works of Duncairn . And there is a much larger movement of history as well . Indeed , in the druidical remains of ...
Contents
British I | 1 |
American | 65 |
The Southern Novel Between the Wars | 108 |
Copyright | |
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action Afternoon Men American fiction American novel appeared attitude become behaviour called centre comedy comic Compson consciousness contemporary criticism D. H. Lawrence death described dream Dreiser Eliot Ellen Glasgow England English novel Eustace everything existence experience expression eyes fantasy father Faulkner feels figure Gatsby George Eliot girl Gopher Prairie hero homosexual human imagination innocent Jane Austen Joyce Lawrence Lewis literary lives Lonigan look means mind Miss Lonelyhearts moral narrator nature Negro never night novelist perhaps political Powys's prose realize relation rendered satire scarcely scene seems sense social society Sons and Lovers South story strikes Studs Studs Lonigan style successful Sutpen symbol theme things thirties tion tradition tragic Ulysses Vile Bodies Virginia whole wife Willa Cather Winesburg woman women Women in Love words writing written young