Eating Culture: The Poetics and Politics of FoodFood has always operated in circulation between the local and the global, migration and resettlement and, with its power in defining and performing social meanings, served to construct notions of home and cultural otherness. But while previous studies emphasized these oppositions, our globalized and postcolonial setting today poses a new question: what happens to eating culture when the pure products go crazy? This transdisciplinary volume therefore draws on research in social anthropology, sociolinguistics, discourse analysis, literature, film and cultural studies to investigate practices, representations and functions of food in American, European and Asian societies and their cross-cultural engagements. It argues that foodways precisely come to mark the material basis for both the identification and the translatability of cultures. |
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Page 141
It is hinted throughout the novel and becomes entirely clear towards the end :
Midnight ' s Children is narrated from the vantage point of Braganza Pickles , a
pickle factory in Bombay . The narrator ' s job is not only to overlook the "
production ...
It is hinted throughout the novel and becomes entirely clear towards the end :
Midnight ' s Children is narrated from the vantage point of Braganza Pickles , a
pickle factory in Bombay . The narrator ' s job is not only to overlook the "
production ...
Page 147
constructs an India in terms of colonial produce and food ; but the scene read
above displays exoticization and ... is not the same as submission to ( or
production of ) colonial stereotypes ; instead it is a skilled manipulation of what
Huggan has ...
constructs an India in terms of colonial produce and food ; but the scene read
above displays exoticization and ... is not the same as submission to ( or
production of ) colonial stereotypes ; instead it is a skilled manipulation of what
Huggan has ...
Page 258
The productions , for example , of Night of the Living Dead , The Texas Chainsaw
Massacre , Pink Flamingos , and Sweet ... This can perhaps be perceived as a
direct reflection of the stringent production conditions in which they were made .
The productions , for example , of Night of the Living Dead , The Texas Chainsaw
Massacre , Pink Flamingos , and Sweet ... This can perhaps be perceived as a
direct reflection of the stringent production conditions in which they were made .
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Bibliographic information
| Title | Eating Culture: The Poetics and Politics of Food Volume 106 of American Studies - a Monograph Series Volume 106 of American studies, ISSN 0178-1987 |
| Editors | Tobias Döring, Markus Heide, Susanne Muehleisen |
| Publisher | Winter, 2003 |
| Original from | the University of Michigan |
| Digitized | 17 Sep 2008 |
| ISBN | 3825315193, 9783825315191 |
| Length | 284 pages |
| Subjects | › Cooking / Essays & Narratives Social Science / Popular Culture |
| Export Citation | BiBTeX EndNote RefMan |