Eating Culture: The Poetics and Politics of FoodFood has always operated in circulation between the local and the global, migration and resettlement and, with its power in defining and performing social meanings, served to construct notions of home and cultural otherness. But while previous studies emphasized these oppositions, our globalized and postcolonial setting today poses a new question: what happens to eating culture when the pure products go crazy? This transdisciplinary volume therefore draws on research in social anthropology, sociolinguistics, discourse analysis, literature, film and cultural studies to investigate practices, representations and functions of food in American, European and Asian societies and their cross-cultural engagements. It argues that foodways precisely come to mark the material basis for both the identification and the translatability of cultures. |
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Page 97
In this extract she establishes what the Black British position is in terms of identity
and culture ( lines 1 - 5 ) and then shows her own difference from this as she
repositions herself in opposition to that positioning ( lines 17 - 23 ) . On lines 1 - 5
...
In this extract she establishes what the Black British position is in terms of identity
and culture ( lines 1 - 5 ) and then shows her own difference from this as she
repositions herself in opposition to that positioning ( lines 17 - 23 ) . On lines 1 - 5
...
Page 98
At line 22 Sh agrees with this claim before Do produces a latched turn ( lines 23 -
24 ) which shows her position within Blackness as someone who disobeys the
food rules and because of her ' light skin ' colour has to prove herself all the time .
At line 22 Sh agrees with this claim before Do produces a latched turn ( lines 23 -
24 ) which shows her position within Blackness as someone who disobeys the
food rules and because of her ' light skin ' colour has to prove herself all the time .
Page 231
The young artist ' s approach shows a purely aesthetic painterly interest in the
nutritious objects . He sees in the colossal manifestation of existential urban life
nothing more than pretexts for painted colour . As in Cézanne ' s fruit pictures ...
The young artist ' s approach shows a purely aesthetic painterly interest in the
nutritious objects . He sees in the colossal manifestation of existential urban life
nothing more than pretexts for painted colour . As in Cézanne ' s fruit pictures ...
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African American apple Asian authenticity become beginning Black British cannibalism Caribbean century chicken Chinese colonial consumers context cooking course Creole critical cuisine culinary cultural customers dinner discourse dishes domestic early eating emergence English ethnic European example experience fact films French fruit gender German global hand identity images immigrant important Indian interest Italian Italy language literature living London look meal means names narrative nature novel observed origin Orleans particular plantain political position practices present Press production racial recent reference region relations representation restaurant rice seems seen sense servant served shows signifier slaves social society space speak symbolic talk taste texts things tion traditional turn visual women writing York