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consonant, is of great importance, and should be well explained to the pupil. They are frequently confounded by writers on grammar. Observations and reasonings on the name, are often applied to explain the nature, of a consonant: and, by this means, the student is led into error and perplexity, respecting these elements of language. It should be impressed on his mind, that the name of every consonant, is a complex sound; but that the consonant itself is always a simple sound.

Some writers have described the mutes and semivowels, with their subdivisions, nearly in the following

manner.

The mutes are those consonants, whose sounds cannot be protracted. The semi-vowels, such whose sounds can be continued at pleasure, partaking of the nature of vowels, from which they derive their name.

The mutes may be subdivided into pure and impure. The pure are those whose sounds cannot be at all prolonged : they are k, p, t. The impure are those whose sounds may be continued, though for a very short space: they are b, d, g.

The semi-vowels may be subdivided into vocal and aspirated. The vocal are those which are formed by the voice; the aspirated, those formed by the breath. There are eleven vocal, and five aspirated. The vocal are l, m, n, r, v, w, y, z, th fat, zh, ng: the aspirated, f, h, s, th sharp, sh.

The vocal semi-vowels may be subdivided into pure and impure. The pure are those which are formed entirely by the voice: the impure, such as have a mixture of breath with the voice. There are seven pure-, m, n, r, w, y, ng; four impure-v, z, th flat, zh.

A diphthong is the union of two vowels, pronounced by a simple impulse of the voice; as, ea in beat, ou in sound.

A triphthong is the union of three vowels, pronounced in like manner; as, eau in beau, iew in view. A proper diphthong is that in which both the vowels are sounded; as, oi in voice, ou in ounce.

An improper diphthong has but one of the vowels sounded; as ea in eagle, oa in boat.

Each of the diphthongal letters was, doubtless, originally heard in pronouncing the words which contain them. Though this is not the case at present, with respect to many of them, these combinations still retain the name of diphthongs; but, to distinguish them, they are marked by the term improper. As the diphthong derives its name and nature from its sound, and not from its letters, and properly denotes a double vowel sound, no union of two vowels, where one is silent, can, in strictness, be entitled to that appellation; and the single letters i and u, when pronounced long, must, in this view, be considered as diphthongs. The triphthongs, having at most but two sounds, are merely ocular, and are, therefore, by some grammarians, classed with the diphthongs.

SECTION 2. General observations on the sounds of the letters.

A

A has four sounds; the long or slender, the broad, the short or open, and the middle.

The long; as in name, basin, creation.
The broad; as in call, wall, all.
The short; as in barrel, fancy, glass.

The middle; as in far, farm, father.

The diphthong aa generally sounds like a short in proper names; as in Balaam, Canaan, Isaac ; but not in Baal, Gaal.

Ae has the sound of long e. It is sometimes found in Latin words. Some authors retain this form; as, ænigma, æquator, &c.; but others have laid it aside, and write enigma, Cesar, Eneas, &c.

The diphthong ai has exactly the long slender sound of a ; as in pail, tail, &c. ; pronounced pale, tale, &c.: except plaid, again, raillery, fountain, Britain, and a few others.

Au is generally sounded like the broad a: as in taught, caught, &c. Sometimes like the short or open a; as in aunt, flaunt, gauntlet, &c. It has the sound of long o in hautboy; and that of o short in laurel, laudanum, &c.

Aw has always the sound of broad a; as in bawl, scrawl, crawl.

Ay, like its near relation ai, is pronounced like the long slender sound of a; as in pay, day, delay.

B

B keeps one unvaried sound, at the beginning, middle, and end of words; as in baker, number, rhubarb, &c.

In some words it is silent; as in thumb, debtor, subtle, &c. In others, besides being silent, it lengthens the syllable; as in climb, comb, tomb.

C has two different sounds.

C

A hard sound like k, before a, o, u, r, l, t; as in cart, cottage, curious, craft, tract, cloth, &c.; and when it ends a syllable; as in victim, flaccid.

A soft sound like 9, before e, i, and y, generally; as in centre, face, civil, cymbal, mercy, &c. It has sometimes the sound of sh; as in ocean, social.

C is mute in czar, czarina, victuals, &c.

C, says Dr. Johnson, according to English orthography, never ends a word; and therefore we find in our best dictionaries, stick, block, publick, politick, &c. But many writers of latter years omit the k in words of two or more syllables; and this practice is gaining ground, though it is productive of irregularities; such as writing mimic and mimickry; traffic and trafficking.

Ch is commonly sounded like tch; as in church, chin, chaff, charter: but in words derived from the Greek, has the sound of k; as in chymist, scheme, chorus, chyle, distich; and in foreign names; as, Achish, Baruch, Enoch, &c.

Ch, in some words derived from the French, takes the sound of sh; as in chaise, chagrin, chevalier, machine.

Ch in arch, before a vowel, sounds like k; as in archangel, archives, Archipelago; except in arched, archery, archer, and arch-enemy: but before a consonant it always sounds like tch; as in archbishop, archduke, archpresbyter, &c. Ch is silent in schedule, schism, and yacht.

D

D keeps one uniform sound, at the beginning, middle, and end of words; as in death, bandage, kindred; unless it may be said to take the sound of t, in stuffed, tripped, &c. stuft, tript, &c.

E

E has three different sounds.

A long sound; as in scheme, glebe, severe, pulley.

A short sound; as in men, bed, clemency.

An obscure and scarcely perceptible sound; as, open, lucre, participle.

It has sometimes the sound of middle a; as in clerk, serjeant; and sometimes that of short i; as in England, yes, pretty.

E is always mute at the end of a word, except in monosyllables that have no other vowel; as, me, he, she or in substantives derived from the Greek; as, catastrophe, epitome, Penelope. It is used to soften and modify the foregoing consonants; as, force, rage, since, oblige or to lengthen the preceding vowel; as, can, cane; pin, pine; rob, robe.

:

The diphthong ea is generally sounded like e long; as in appear, beaver, creature, &c. It has also the sound of short e; as in breath, meadow, treasure. And it is sometimes pronounced like the long and slender a; as in bear, break, great.

Eau has the sound of long o; as in beau, flambeau, portmanteau. In beauty and its compounds, it has the sound of long u.

Ei, in general, sounds the same as long and slender a; as in deign, vein, neighbour, &c. It has the sound of long e in geize, deceit, receive, either, neither, &c. It is sometimes pronounced like short i; as in foreign, forfeit, sovereign, &c.

Eo is pronounced like e long; as in people; and sometimes like e short; as in leopard, jeopardy. It has also the sound of short u; as in dungeon, sturgeon, puncheon, &c. Eu is always sounded like long u, or ew; as in feud, deuce.

Ew is almost always pronounced like long u; as in few, new, dew.

Ey, when the accent is on it, is always pronounced like a long; as in bey, grey, convey; except in key, ley, where it is sounded like long e.

When this diphthong is unaccented, it takes the sound of e long; as, alley, valley, barley.

F

F keeps one pure unvaried sound at the beginning, middle, and end of words; as, fancy, muffin, mischief, &c. : except in of, in which it has the flat sound of ov; but not in composition; as, whereof, thereof, &c. We should not

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pronounce, a wive's jointure, a calve's head; but a wife's jointure, a calf's head.

G

G has two sounds: one hard; as in gay, go, gun: the other soft; as in gem, giant.

At the end of a word it is always hard; as in bag, snug, frog. It is hard before a, o, u, 1, and r; as, game, gone, gull, glory, grandeur.

G, before e, i, and y, is soft; as in genius, gesture, ginger, Egypt; except in get, gewgaw, finger, craggy, and

some others.

G is mute before n; as in gnash, sign, foreign, &c.

Gn, at the end of a word, or syllable accented, gives the preceding vowel a long sound; as in resign, impugn, oppugn, impregn, impugned; pronounced impune, imprene, &c.

Gh, at the beginning of a word, has the sound of the hard g; as, ghost, ghastly in the middle, and sometimes at the end, it is quite silent; as in right, high, plough, mighty.

At the end, it has often the sound of f; as in laugh, cough, tough. Sometimes only the g is sounded; as in burgh, burgher.

H

The sound signified by this letter, is, as before observed, an articulate sound, and not merely an aspiration. It is heard in the words, hat, horse, Hull. It is seldom mute at the beginning of a word. It is always silent after r; as, rhetoric, rheum, rhubarb.

H final, preceded by a vowel, is always silent; as, ah! hah! oh! foh! Sarah, Messiah.

From the faintness of the sound of this letter, in many words, and its total silence in others, added to the negligence of tutors, and the inattention of pupils, it has happened, that many persons have become almost incapable of acquiring its just and full pronunciation. It is, therefore, incumbent on teachers, to be particularly careful to inculcate a clear and distinct utterance of this sound.

I

I has a long sound; as in fine: and a short one; as in fin. The long sound is always marked by the e final in monosyllables; as, thin, thine; except give, live. Before r, it is

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