crossed at a single step, whenever God shall give permission. The Sun of Righteousness has been drawing nearer and nearer, appearing larger and brighter as he approached; and now he fills the whole hemisphere; pouring forth a flood of glory, in which I seem to float like an insect in the beams of the sun; exulting, yet almost trembling, while I gaze on this excessive brightness, and wondering, with unutterable wonder, why God should deign thus to shine upon a sinful worm.” There is perhaps, in all our language, no record of a Christian's happiness before death so striking as this. What is it not worth, to enjoy such consolations as these, in our pilgrimage, and especially to experience such foretastes of heaven, as we draw near to the River of Death, such revelations of God in Christ as can swallow up the fears and pains of dying, and make the soul exult in the vision of a Saviour's loveliness, the assurance of a Saviour's mercy? There is no self-denial, no toil, no suffering in this life which is worthy to be compared, for a moment, with such blessedness. It is very remarkable that Bunyan has, as it were, attempted to lift the veil from the grave, from eternity, in the beatific closing part of the Pilgrim's Progress, and to depict what passes, or may be supposed to pass, with the souls of the righteous immediately after death. There is a very familiar verse of Watts, founded on the unsuccessful effort of the mind to conceive definitely the manner of that existence into which the immortal spirit is to be ushered. "In vain the fancy strives to paint The moment after death; The glories that surround the saint The old poet, Henry Vaughan, in his fragment on "Heaven in Prospect," refers to the same uncertainty, in stanzas that, though somewhat quaint, are very striking. "Dear, beauteous Death, the jewel of the just, Could man outlook that mark! "He that hath found some fledged bird's nest, may know At first sight if the bird be flown; But what fair field or grove he sings in now, That is to him unknown. "And yet, as angels in some brighter dreams. So some strange thoughts transcend our wonted themes, [The "Expression," in the first three stanzas of this piece, is marked by the tones of animation, cheerfulness, composure, joy, and courage; it changes in the next three, to regret, in the seventh to earnest but tender entreaty, in the eighth, to sublime aspiration and triumph.] One was Hope, my dearest comrade, Brightest in the darkest days, Dearer far than all the rest. And though Wealth, nor Fame, nor Station, But, alas! ere night has darkened, Spectres twin around me flit; In my sleep I hear her howling, Last of all my dear companions, Hope! sweet Hope! befriend me yet! Do not leave my lonely heart All to darkness and regret! Short and sad is now my voyage O'er this gloom-encompassed sea, But not cheerless altogether, — Will it seem, if blessed with thee. Dim thine eyes are, turning earthwards, Soft and beautiful and warm. Look then upwards! lead me heavenwards! HENRY MARTYN.- Macaulay. [An exercise in the reading of biographical narrative, embodying all the highest qualities of sentiment and language, and a corresponding intensity of "Expression" and vividness of " Variation."]*. Towards the middle of the last century, John Martyn of Truro was working with his hands in the mines near that town. He was a wise man, who, knowing the right use of leisure hours, employed them so as to qualify himself for higher and more lucrative pursuits; and who, knowing the right use of money, devoted his enlarged means to procure for his four children a liberal education. Henry, the younger of his sons, was accordingly entered * Passages such as the above, serve to exemplify the style of elocution in obituary discourses. at the university at Cambridge, where, in January, 1801, he obtained the degree of bachelor of arts, with the honorary rank of senior wrangler. There also he became the disciple, and as he himself would have said, the convert of Charles Simeon. Under the counsels of that eminent teacher, the guidance of Mr. Wilberforce, and the active aid of Mr. Grant, he entered the East India Company's service, as a chaplain. After a residence in Hindostan of about five years, he returned homewards through Persia, in broken health. Pausing at Shiraz, he labored there, during twelve months, with the ardor of a man, who, distinctly perceiving the near approach of death, feared lest it should intercept the great work for which alone he desired to live. That work, (the translation of the New Testament into Persian,) at length accomplished, he resumed his way towards Constantinople, followed his Mimander, (one Hassan Aga,) at a gallop, nearly the whole distance from Tabriz to Tocat, under the rays of a burning sun, and the pressure of continual fever. On the 6th of October, 1812, in the thirty-second year of his age, he brought the journal of his life to a premature close, by inscribing in it the following words, while he sought a momentary repose under the shadow of some trees at the foot of the Caramanian mountains: " I sat in the orchard, and thought, with sweet comfort and fear, of God, in solitude, my company, my friend, and comforter. Oh! when shall time give place to eternity! When shall appear that new heaven and new earth, wherein dwelleth righteousness and love! There shall in nowise enter anything that defileth; none of that wickedness which has made men worse than wild beasts; none of those corruptions which add still more to the miseries of mortality, shall be seen or heard of any more." Ten days afterwards, these aspirations were fulfilled. His body was laid in the grave by the hands of strangers at Tocat; and to his disembodied spirit was revealed that awful |