The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 117
In her own way , Miss Austen adapted and carried further Fielding ' s dramatic
method of presenting action through a succession of short scenes in dialogue .
Though keeping the right to comment , she relied more on dialogue ; but , as with
...
In her own way , Miss Austen adapted and carried further Fielding ' s dramatic
method of presenting action through a succession of short scenes in dialogue .
Though keeping the right to comment , she relied more on dialogue ; but , as with
...
Page 120
Yet those most attached to Miss Austen ' s novels have usually preferred the later
ones , Mansfield Park , Emma , and Per . suasion , which were written after an
interval of more than ten years . During that long silence , the reason for which we
...
Yet those most attached to Miss Austen ' s novels have usually preferred the later
ones , Mansfield Park , Emma , and Per . suasion , which were written after an
interval of more than ten years . During that long silence , the reason for which we
...
Page 125
Miss Bates , the garrulous , woolly - minded spinster , is an excellent example of
Miss Austen ' s use of the minor character . Miss Bates rambles on , innocent and
silly , almost in stream - of - consciousness fashion ; but she rambles on to good ...
Miss Bates , the garrulous , woolly - minded spinster , is an excellent example of
Miss Austen ' s use of the minor character . Miss Bates rambles on , innocent and
silly , almost in stream - of - consciousness fashion ; but she rambles on to good ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young