The English Novel: A Short Critical History |
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Page 184
But Dickens's way of character creation was not that of the realist novelist ; he was after another kind of reality . It is often said that his characters are caricatures , either caricatures of comedy or monstrous puppets of melodrama ...
But Dickens's way of character creation was not that of the realist novelist ; he was after another kind of reality . It is often said that his characters are caricatures , either caricatures of comedy or monstrous puppets of melodrama ...
Page 188
Dickens was the wretched little heavy - eyed mite the nineteenth century neglected and who told it just what manner of age it was . It made him without realizing it a violent revolutionary . In novels like Dombey and Son , Bleak House ...
Dickens was the wretched little heavy - eyed mite the nineteenth century neglected and who told it just what manner of age it was . It made him without realizing it a violent revolutionary . In novels like Dombey and Son , Bleak House ...
Page 191
In Dombey , for instance , or Carker in the same novel , or Headstone in Our Mutual Friend , Dickens is concentrating so exclusively on the obsessional element in behavior that he is inventing characters that we should today call ...
In Dombey , for instance , or Carker in the same novel , or Headstone in Our Mutual Friend , Dickens is concentrating so exclusively on the obsessional element in behavior that he is inventing characters that we should today call ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young