The English Novel: A Short Critical History |
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Page 5
When it was rediscovered it flowered marvelously in Elizabethan drama . And the dominance of the drama from about 1580 to 1640 is in itself one reason why one could not expect great prose novels during the Elizabethan and Jacobean ...
When it was rediscovered it flowered marvelously in Elizabethan drama . And the dominance of the drama from about 1580 to 1640 is in itself one reason why one could not expect great prose novels during the Elizabethan and Jacobean ...
Page 6
In essence Elizabethan drama is probably nearer to opera than to the novel , though this does not mean that the ... Probably the most important difference between us and the Elizabethans , the one that subsumes all the others , is their ...
In essence Elizabethan drama is probably nearer to opera than to the novel , though this does not mean that the ... Probably the most important difference between us and the Elizabethans , the one that subsumes all the others , is their ...
Page 8
tury before the rise of Elizabethan drama . This was Malory's Morte d'Arthur . Great work of prose though it is , it is by no stretch of imagination a novel . If we take it as such , we might as well accept The Faërie Queene as a novel ...
tury before the rise of Elizabethan drama . This was Malory's Morte d'Arthur . Great work of prose though it is , it is by no stretch of imagination a novel . If we take it as such , we might as well accept The Faërie Queene as a novel ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young