The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 44
Fielding decided that Pamela should have a brother , a virtuous footman named
Joseph , who would repulse the ... a false start , for , having discovered the form
of the novel , Fielding went on to do something quite different from merely poking
...
Fielding decided that Pamela should have a brother , a virtuous footman named
Joseph , who would repulse the ... a false start , for , having discovered the form
of the novel , Fielding went on to do something quite different from merely poking
...
Page 50
Now , most of Fielding ' s personages in Joseph Andrews are episodic ; they
appear only once , met and passed in the course of Joseph ' s and Adam ' s
peregrinations . But we feel , of Mrs . Towwouse , Parson Trulliber ( the finest of
them all ...
Now , most of Fielding ' s personages in Joseph Andrews are episodic ; they
appear only once , met and passed in the course of Joseph ' s and Adam ' s
peregrinations . But we feel , of Mrs . Towwouse , Parson Trulliber ( the finest of
them all ...
Page 59
This is to say that Fielding ' s conception of the relationship between the sexes
was nearer to Shakespeare ' s than to ours . How superior it was to that of the
greatest Victorian male novelists may be seen by comparing Sophia with the ...
This is to say that Fielding ' s conception of the relationship between the sexes
was nearer to Shakespeare ' s than to ours . How superior it was to that of the
greatest Victorian male novelists may be seen by comparing Sophia with the ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young