The English Novel: A Short Critical History |
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Page 255
But it is not by accident that this seriousness of intent came into our fiction consciously with George Eliot and Meredith . In education and interests both were out of the common run of English novelists . George Eliot was thirty ...
But it is not by accident that this seriousness of intent came into our fiction consciously with George Eliot and Meredith . In education and interests both were out of the common run of English novelists . George Eliot was thirty ...
Page 260
Doubtless George Eliot was using the memories of her childhood , but it seems to me as certain as such things can be that she is remembering her childhood through Scott . It has been debated endlessly which is the better in the ...
Doubtless George Eliot was using the memories of her childhood , but it seems to me as certain as such things can be that she is remembering her childhood through Scott . It has been debated endlessly which is the better in the ...
Page 380
The satire on capitalism , so long as it is embodied in the figure of George's Uncle Ponderevo , is effective , though not exactly , perhaps , as Wells intended . For Uncle Ponderevo steals the book - Uncle Ponderevo the pinchbeck ...
The satire on capitalism , so long as it is embodied in the figure of George's Uncle Ponderevo , is effective , though not exactly , perhaps , as Wells intended . For Uncle Ponderevo steals the book - Uncle Ponderevo the pinchbeck ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young