The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 255
But it is not by accident that this seriousness of intent came into our fiction
consciously with George Eliot and Meredith . In education and interests both
were out of the common run of English novelists . George Eliot was thirty - eight
when she ...
But it is not by accident that this seriousness of intent came into our fiction
consciously with George Eliot and Meredith . In education and interests both
were out of the common run of English novelists . George Eliot was thirty - eight
when she ...
Page 259
But for George Eliot it seems to be a bad mark against her , something in itself
reprehensible . George Eliot , we learn from her biographers , was perhaps
overconscious of what she construed as her own ugliness , and it sometimes
appears ...
But for George Eliot it seems to be a bad mark against her , something in itself
reprehensible . George Eliot , we learn from her biographers , was perhaps
overconscious of what she construed as her own ugliness , and it sometimes
appears ...
Page 260
Doubtless George Eliot was using the memories of her childhood , but it seems to
me as certain as such things can be that she is remembering her childhood
through Scott . It has been debated endlessly which is the better in the rendering
of ...
Doubtless George Eliot was using the memories of her childhood , but it seems to
me as certain as such things can be that she is remembering her childhood
through Scott . It has been debated endlessly which is the better in the rendering
of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History A Dutton paperback Part 9 of Dutton everyman paperback |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |