The English Novel: A Short Critical History |
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Page 124
She takes as her friend not her equal in birth and intellect , Jane Fairfax , but Harriet Smith , an amiable , stupid girl of ambiguous parentage . She persuades Harriet that her farmer sweetheart , her equal in birth and superior in ...
She takes as her friend not her equal in birth and intellect , Jane Fairfax , but Harriet Smith , an amiable , stupid girl of ambiguous parentage . She persuades Harriet that her farmer sweetheart , her equal in birth and superior in ...
Page 218
If it were not for the unity of tone , Jane Eyre would be incoherent , for as a construction it is artless . Yet because of the unity of tone , the melodramatic incredibilities scarcely matter ; they are false to observed reality but ...
If it were not for the unity of tone , Jane Eyre would be incoherent , for as a construction it is artless . Yet because of the unity of tone , the melodramatic incredibilities scarcely matter ; they are false to observed reality but ...
Page 221
We are moved by her more than by Jane Eyre and Lucy Snowe ; their passionate intensity sweeps pity aside . In Villette she went back to the wholly subjective novel . Lucy Snowe tells her own story , and we are always in her mind .
We are moved by her more than by Jane Eyre and Lucy Snowe ; their passionate intensity sweeps pity aside . In Villette she went back to the wholly subjective novel . Lucy Snowe tells her own story , and we are always in her mind .
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Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
4 other sections not shown
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |