The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 44
Fielding decided that Pamela should have a brother , a virtuous footman named
Joseph , who would repulse the advances of Lady Booby as his sister had done
those of Lady Booby ' s nephew , Richardson ' s Mr . B . It was , as it turned out , a
...
Fielding decided that Pamela should have a brother , a virtuous footman named
Joseph , who would repulse the advances of Lady Booby as his sister had done
those of Lady Booby ' s nephew , Richardson ' s Mr . B . It was , as it turned out , a
...
Page 111
But listen to her as she thinks aloud : " It will do very well , never mind , ” repeated
Petito , mut . tering to herself as she looked after the ladies whilst they ran
downstairs . “ I can ' t abide to dress any young lady who says never mind , and it
will ...
But listen to her as she thinks aloud : " It will do very well , never mind , ” repeated
Petito , mut . tering to herself as she looked after the ladies whilst they ran
downstairs . “ I can ' t abide to dress any young lady who says never mind , and it
will ...
Page 137
The first chapter , a discussion on marriage between the silly and affected young
Lady Juliana and her worldly and tyrannical father Lord Courtland , is admirable ,
and so are the scenes immediately following , of the acute discomfort of Lady ...
The first chapter , a discussion on marriage between the silly and affected young
Lady Juliana and her worldly and tyrannical father Lord Courtland , is admirable ,
and so are the scenes immediately following , of the acute discomfort of Lady ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young