The English Novel: A Short Critical History |
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Page 431
... Lawrence . Lawrence exists at the opposite pole of the creative impulse to Joyce ; he is a great romantic poet who used the form of the novel , short stories , verse , travel books , and essays to express his criticism of modern ...
... Lawrence . Lawrence exists at the opposite pole of the creative impulse to Joyce ; he is a great romantic poet who used the form of the novel , short stories , verse , travel books , and essays to express his criticism of modern ...
Page 433
... Lawrence is much closer to his characters , and we are brought into immediate , intimate relation with them through the sheer urgency of his writing ; the words seem hot and quivering on the page . It is not an experimental novel , and ...
... Lawrence is much closer to his characters , and we are brought into immediate , intimate relation with them through the sheer urgency of his writing ; the words seem hot and quivering on the page . It is not an experimental novel , and ...
Page 435
... Lawrence , consisted in how far mystery resided in them , how far they were con- scious of mystery . And since the analyzing , scientific intel- lect killed the mystery , it obviously flourished most power- fully where the analyzing ...
... Lawrence , consisted in how far mystery resided in them , how far they were con- scious of mystery . And since the analyzing , scientific intel- lect killed the mystery , it obviously flourished most power- fully where the analyzing ...
Contents
THE BEGINNINGS | 7 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young