The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 65
In London he is cozened and cheated by a succession of rogues , tries to enter
the navy as a surgeon ' s mate but , despite his professional qualifications , finds
that entry into the service depends upon the bribing of Admiralty clerks .
In London he is cozened and cheated by a succession of rogues , tries to enter
the navy as a surgeon ' s mate but , despite his professional qualifications , finds
that entry into the service depends upon the bribing of Admiralty clerks .
Page 319
The Princess Casamassima was the first fruit of James ' s decision to settle in
England , and much of its richness comes from the thoroughness of his surrender
to the spell of London , from “ the assault directly made by the great city upon an ...
The Princess Casamassima was the first fruit of James ' s decision to settle in
England , and much of its richness comes from the thoroughness of his surrender
to the spell of London , from “ the assault directly made by the great city upon an ...
Page 341
as Unitarian minister before leaving the ministry to work for a Rationalist
publisher in London in loneliness and poverty . The Autobiography of Mark
Rutherford is a poignant account of loneliness both spiritual and material . Its
theme is the ...
as Unitarian minister before leaving the ministry to work for a Rationalist
publisher in London in loneliness and poverty . The Autobiography of Mark
Rutherford is a poignant account of loneliness both spiritual and material . Its
theme is the ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young