The English Novel: A Short Critical History |
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Page 126
3 “ Scott is a novelist over whom we shall violently divide . ” Thus E. M. Forster , in Aspects of the Novel : and if we want the case against Scott we cannot do better than continue the quotation : He is seen to have a trivial mind and ...
3 “ Scott is a novelist over whom we shall violently divide . ” Thus E. M. Forster , in Aspects of the Novel : and if we want the case against Scott we cannot do better than continue the quotation : He is seen to have a trivial mind and ...
Page 129
It is a commonplace of Scott criticism to say that he approached his characters from the outside , presented , so to say , the public view of them ; which , after all , is very much what an historian like Macaulay did with his ...
It is a commonplace of Scott criticism to say that he approached his characters from the outside , presented , so to say , the public view of them ; which , after all , is very much what an historian like Macaulay did with his ...
Page 130
ers we can see what Scott meant to a later generation of European writers , to Mérimée , for example , with his wonderful Mateo Falcone . Looking back on Scott's novels in memory , at any rate on the Scottish ones , which are his best ...
ers we can see what Scott meant to a later generation of European writers , to Mérimée , for example , with his wonderful Mateo Falcone . Looking back on Scott's novels in memory , at any rate on the Scottish ones , which are his best ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
4 other sections not shown
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |