The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xix
through character can the novelist ' s apprehensions of man ' s fate be uttered at
all . When Mrs . Leavis , in ... The more highly a novelist has organized his
characters the less they can be reduced to “ bold outlines . ” And the organization
of a ...
through character can the novelist ' s apprehensions of man ' s fate be uttered at
all . When Mrs . Leavis , in ... The more highly a novelist has organized his
characters the less they can be reduced to “ bold outlines . ” And the organization
of a ...
Page 190
These characters are most evident when he is attacking social injustice or flaws
in the social code . Bumble , Heep , and Gradgrind are typical figures of savage
comedy ; ridicule and contempt are poured upon them , but they remain ...
These characters are most evident when he is attacking social injustice or flaws
in the social code . Bumble , Heep , and Gradgrind are typical figures of savage
comedy ; ridicule and contempt are poured upon them , but they remain ...
Page 191
obsessional element in his characters . This is so regardless of whether he is
describing characters that are formally comic . In Dombey , for instance , or
Carker in the same novel , or Headstone in Our Mutual Friend , Dickens is
concentrating ...
obsessional element in his characters . This is so regardless of whether he is
describing characters that are formally comic . In Dombey , for instance , or
Carker in the same novel , or Headstone in Our Mutual Friend , Dickens is
concentrating ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History A Dutton paperback Part 9 of Dutton everyman paperback |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |