The English Novel: A Short Critical History |
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Page xix
through character can the novelist's apprehensions of man's fate be uttered at all . When Mrs. Leavis , in Fiction and the ... The more highly a novelist has organized his characters the less they can be reduced to " bold outlines .
through character can the novelist's apprehensions of man's fate be uttered at all . When Mrs. Leavis , in Fiction and the ... The more highly a novelist has organized his characters the less they can be reduced to " bold outlines .
Page 190
These characters are most evident when he is attacking social injustice or flaws in the social code . Bumble , Heep , and Gradgrind are typical figures oi savage comedy ; ridicule and contempt are poured upon them , but they remain ...
These characters are most evident when he is attacking social injustice or flaws in the social code . Bumble , Heep , and Gradgrind are typical figures oi savage comedy ; ridicule and contempt are poured upon them , but they remain ...
Page 191
le je CAN 101 Itt obsessional element in his characters . This is so regardless of whether he is describing characters that are formally comic . In Dombey , for instance , or Carker in the same novel , or Headstone in Our Mutual Friend ...
le je CAN 101 Itt obsessional element in his characters . This is so regardless of whether he is describing characters that are formally comic . In Dombey , for instance , or Carker in the same novel , or Headstone in Our Mutual Friend ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young