The English Novel: A Short Critical History |
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Page 118
Miss Austen traces the consequences of the lack of these qualities in characters set in as completely detailed a world as has been created in fiction . There is a whole larger world outside it of which she says nothing , but that does ...
Miss Austen traces the consequences of the lack of these qualities in characters set in as completely detailed a world as has been created in fiction . There is a whole larger world outside it of which she says nothing , but that does ...
Page 177
It affects us as Gibbon's does , or Macaulay's ; it acimits of no hesitations , no half lights ; it is completely sure , completely dogmatic . Above all , it is witty . The very structure of his sentences is witty , and his epigrams ...
It affects us as Gibbon's does , or Macaulay's ; it acimits of no hesitations , no half lights ; it is completely sure , completely dogmatic . Above all , it is witty . The very structure of his sentences is witty , and his epigrams ...
Page 438
... is compared with the African carving described in Women in Love of "a woman sitting naked in a strange posture, and looking tortured, her abdomen stuck out," a true symbol for a way of life which can never be completely apprehended.
... is compared with the African carving described in Women in Love of "a woman sitting naked in a strange posture, and looking tortured, her abdomen stuck out," a true symbol for a way of life which can never be completely apprehended.
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
4 other sections not shown
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |