The English Novel: A Short Critical History |
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Page 416
But with Joyce and Dorothy Richardson and Virginia Woolf , we , as readers , are as it were at the cutting edge of the characters ' minds ; we share the continuous present of their consciousness . There is , obviously , an immense gain ...
But with Joyce and Dorothy Richardson and Virginia Woolf , we , as readers , are as it were at the cutting edge of the characters ' minds ; we share the continuous present of their consciousness . There is , obviously , an immense gain ...
Page 422
It is not quite accurate to speak of the stream of consciousness in relation to Virginia Woolf's rendering of character , at any rate as we know it in Dorothy Richardson's and Joyce's fiction . What she uses is a very deft adaptation of ...
It is not quite accurate to speak of the stream of consciousness in relation to Virginia Woolf's rendering of character , at any rate as we know it in Dorothy Richardson's and Joyce's fiction . What she uses is a very deft adaptation of ...
Page 449
... 326 358 Novel , English ( general aspects ) : reaction from Naturalism , 410origins , and influences of Eliz412 , 413 abethan drama , 3-5 stream of consciousness techinfluence of Shakespeare , 7 nique , 412-432 of Elizabethan period ...
... 326 358 Novel , English ( general aspects ) : reaction from Naturalism , 410origins , and influences of Eliz412 , 413 abethan drama , 3-5 stream of consciousness techinfluence of Shakespeare , 7 nique , 412-432 of Elizabethan period ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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