The English Novel: A Short Critical History |
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Page 114
What we may call the pure novelist's criticism of life is an aspect of his design , his composition ; indeed , in a very real sense it is the formal ordering of his material that constitutes his criticism of life .
What we may call the pure novelist's criticism of life is an aspect of his design , his composition ; indeed , in a very real sense it is the formal ordering of his material that constitutes his criticism of life .
Page 155
Yet , since fiction was often the only place in which dangerous thoughts could be discussed , not always with perfect safety to the novelist , the novel became the main vehicle of criticism , of society , of morals , of the Russian ...
Yet , since fiction was often the only place in which dangerous thoughts could be discussed , not always with perfect safety to the novelist , the novel became the main vehicle of criticism , of society , of morals , of the Russian ...
Page 441
... Joseph , 23 , 200 Emma , 123-125 Adventures of Harry Richmond , Charlotte Brontė's criticism , The , 62 , 276-281 125-126 Agnes Grey , 214 influence , 125-126 Ainsworth , Harrison , 127 , 162 Autobiography of Mark Ruther .
... Joseph , 23 , 200 Emma , 123-125 Adventures of Harry Richmond , Charlotte Brontė's criticism , The , 62 , 276-281 125-126 Agnes Grey , 214 influence , 125-126 Ainsworth , Harrison , 127 , 162 Autobiography of Mark Ruther .
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young