The English Novel: A Short Critical History |
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Page 19
This is even more clearly apparent in The Life and Death of Mr. Badman , which appeared in 1680. Again a moral tract , its purpose is to describe “ the life and death of the ungodly , and of their travel from this world to hell .
This is even more clearly apparent in The Life and Death of Mr. Badman , which appeared in 1680. Again a moral tract , its purpose is to describe “ the life and death of the ungodly , and of their travel from this world to hell .
Page 20
Attentive : Pray , how was he in his death ? Was death strong upon him , or did he die with ease , quietly ? Wiseman : As quietly as a lamb . There seemed not to be in it , to standers by , so much as a strong struggle of nature .
Attentive : Pray , how was he in his death ? Was death strong upon him , or did he die with ease , quietly ? Wiseman : As quietly as a lamb . There seemed not to be in it , to standers by , so much as a strong struggle of nature .
Page 329
death . In London she enters a corner of English society which Herbert Read has called " a little gamy . ” She meets the vibrantly brilliant Kate Croy , who introduces her to a young journalist , Merton Densher .
death . In London she enters a corner of English society which Herbert Read has called " a little gamy . ” She meets the vibrantly brilliant Kate Croy , who introduces her to a young journalist , Merton Densher .
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young